Aquilasax.com Limited
C-melody Tenor

Nickel with gold lacquered keys

Silver plate and Gold lacquered keys.

Black nickel


Bare brass, no protective coating.


Standard Gold lacquer.
 
1919 Conn Satinsilver C melody Tenor.

Black beauty

Old Conn C mel and New Csax
prototype in bare brass.
 The  body is slightly longer to
allow for the high F# tone hole.
The production model has
some slight modifications to the
key positions

Conn alto 6m and new C sax  prototype
Left side below

RETRO octave key

New C sax with NZ Paua shell thumb button insert
Wide and comfortable with Selmer style octave key! (discontinued)

New RETRO with closer Bis Key

Silver replacement for Conns


Holton C mel, new neck


Engraver with sample.
Is this ok?

Below are some sound samples using the same song and the same mouthpiece so you can listen for the difference in metallurgy.

Silver plated C sax with new Wide Body mpc and straight neck.

Bare Brass sax, wide body mpc, curved neck
Nickel plated C sax, Wide body mpc, curved neck.
 

Patent number and serial # under thumb hook.


Satin Silver and satin nickel comparison

The C-melody Tenor sax, the sax that made the 20's roar, has resurrected!
                        "C tenor, the sensible Sax" (user friendly)
                              Playing sax has never been easier!
The Patented new C tenor production began in 2007.
It is a narrow bore, as  usual, with a completely modern ergonomic keywork design, going to high F#.
It has a curved neck as standard with a straight neck option. Adjustable thumb hook and balanced neck strap hook ring.
They are available in a range of finishes including gold laquer, nickel, black and silver. (picture of prototype bare brass, Black nickel below) Plain or engraved.

What to Expect from the new C Sax.

My first impression of the new C sax was how shiny and new they looked. Of course they had bright finish on them not like the matte silver on the vintage C mels.

The proportions look great, the neck doesn’t look too big like on the vintage models. Especially with the under slung octave rocker! Having a row of bell keys looks neat too. I also appreciate the look of the new key guards. The old ones looked like just a piece of wire had been used! The engraving is done by hand and is subject to minor variations and will be a matter of taste I guess but the quality is better than my old Conn.

This is the link to the Shopping Cart. It has backorder registration ability so if the sax you like is out of stock, you can put your name down for the first of the next batch. Shopping Cart..


Stealth sax in matte Black body, polished black nickel keys with dark pearl touches. (Note; the black nickel is really black but the matte surface reflects light at angles making it appear lighter, like gunmetal gray)

The first new C tenor production sax for 40 years.
 Gold lacquer with Phoenix engraving below.


New C tenor in Fab case with both necks.


Engraver doing a sample for me to check. The skill of that lady is amazing!

Engraving s show better on black. Shiny curved surfaces are difficult to photograph.

 To BUY or see our complete range, Go to our Online Store.


  • Sound Samples

    Nathan Haines has done a short sound track for me on a new C tenor and it's called "C melody blues bounce"
Silver C sax and berg Alto mpc.


    Amazing grace with a sweet sound
Lacquer sax and Classic hard rubber mpc




    The following sound samples use the Same song, same nickel sax and the same reed, so you can check the differences in the metalurgy and mouthpieces. 
Hard rubber # 6 mpc.


  Hard rubber LR 4 mpc

  C Metalpro # 7 mpc.

Nickel sax with wide body # 7 again just for reference.

Silver C sax with "A" Metalpro # 5 and 2.5 reed.

We found the A Metalpro # 5 the loudest. Followed by the C Metalpro and Wide body. The HR# 6 was pretty loud too. If you want to compete with electric guitars I suggest you do what they do and mic your sax.
Alternatively, try an Alto Metalpro with the large baffle. Looking at the wave forms on the recordings, the C metalpro and HR # 6 had very even sound from bottom to top. Both the Wide Body and  A Metalpro had more punch in the top end but the A Metalpro has a more alto like sound while the Wide Body sounds like a Tenor.

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Useful Links
  • Visit Our Online Store here.
  • Saxophones hadn't changed much for 100 years until                               Jim Shmidt's innovation!
    For his all new C sax: Contralto! check out: Jim Shmidt's new C Sax.
  • To hear Alan's vintage C melody's playing JAZZ and an Aquilasax review, check ou
       C Melody Sax.
  • Scott Robinson plays a 1918 C mel exclusively on his 1999 album, "Melody from the sky". 
      Listen here.
  • Rudy Weidoef is credited with begining the C mel craze in the 20s
      See more information.
  • For a modern style in C try "just maybe" by Nathan Haines 
      Listen here.
  •  Nathan Haines plays modern jazz, hip hop etc. on his album Squire for Hire.
     Listen here.
  • To find out who made your C mel Stencil
       Click here.
  • The C melody sax Forum
      The C melody sax .

 

    A "C" sax History
The C tenor saxophone began in the heart of Adolph Sax but the "Concert" community were not interested in his new fangled instruments. He began with an Eb Baritone for marching bands.

   Why I play C melody

I began playing alto in a small band some years ago, piano, guitar, bass and drums. We played irregularly and didn't have much time for practice. There was never any music for sax so I just transposed the key from the piano music and improvised.

 

         Frequently Asked Questions
                                (Click on the questions to see their answers)


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FEDBACK 2014  We have a new auto feedback system on the webstore but some prefer email so here they are;



FEEDBACK 2013

I seem to have lost the request to give you feedback about my Aquilasax C-Melody, which I received last November, but I still wanted to give you my feedback.

The horn and case arrived in good condition and it good time.  The horn works well and is quite a good instrument for the money in my opinion.  I mean really.  My other 2 horns are a Selmer Alto (Super Action 80) which I've played for 25 years, and a Selmer Tenor (Reference 36) which I've had for 3 years, and the comparison to those horns would be unfair, in terms of sound and workmanship.

Unfortunately the mouthpiece I ordered with the Aquilasax horn (Aquilasax C5) provided a really dismal and muddy sound but I find the plastic Selmer alto mouthpiece that came with my Selmer horn works quite well and plays in tune.  I had also purchased a BABBIT mouthpiece, following your recommendation, which also plays OK, although I like the Selmer m/p better.

I may still take the Aquilasax in to a "Long and McQuade" music tech here in Toronto to review and make a minor modification to the octave key if possible, which I find a little small and awkward to use, compared to the ease of use of the Selmers and Yamahas I've played.

But I am positively impressed by the 10 pack of C-Melody reeds (2.5) I received with the horn and they work well with the alto mouthpiece.  Consequently I have now ordered an 8-pack of tenor reeds from you.

So thank you very much for providing me with a horn that is generally to my satisfaction and for a very good price.

Regards,

Bernie S (CA)

 

It's beautiful and I love it!

Gina (NZ)

 

Yesterday I recieved a horn. Everything is OK. Sound and appearance are Exellent. Easy to play. I'm pleased. Thank you !
Best regard, Leonid. (KH)

Thank you for having the courage to design and manufacture this horn!

I've been playing it a couple days now & even though I'm still getting used to it, I'm loving it, great tone.

It has none of the issues that my old C-Mel had, & it makes me a better musician.
I'm overjoyed to be different, playing a Black C-mel fits the bill, so when I go to a jam with a half dozen Tenors & Altos, folks will say:

"What is that dude playing?!"

And a big THANK YOU for taking care of the issues. (low C key and bell alignment; transit damage)

Ed @ the woodwind repair shop said that it was a pretty decent horn, yet he did say "How's it sound? .... Well, it sounds like a C Melody!"

Ok, ya gotta be a fan, I guess.

Thanx, Take care,

Steve H (another Happy Customer)


 

The C-melody tenor saxophone and accessories arrived this morning in good condition.

I like the vintage appearance. It’s the only vintage style sax that I have. I also like the quality of its sound.

I played it for a while. Overall, the intonation is very good. As with all saxes, it’s a bit of a struggle to get correct intonation for C and D at the bottom of the second register but that will get easier as I become more familiar with the instrument.

I’ll let you know when I get a part for it in a Loosely Woven concert. That will probably be in the next concert, for which we’ll have the planning meeting on May 25. At the planning meeting, we all put forward pieces that we would like to perform and then a committee of the arrangers chooses pieces from that list. They then go away and arrange them. When the arrangements come in, I find out which instruments I’ll be required to play.

It’s puzzling why sax manufacturers resist making C-melody instruments. I suppose that they are mass-producing saxes for the concert band market and would think that C-melody instruments wouldn’t be as profitable.

Regards,

John

 

 

 

 

 I had ordered from you a black nickle plated C-Tenor sax late in 2012. The sax arrived in excellent condition and in good time. Attached to the Metlepro mouthpiece was a #2 reed. I tried that reed and found it very much to my liking. I also found the sax very easy playing and am very happy with my purchase.

     Thank you,

Harold

 

 

 

EQUIPMENT TIPS
Altissimo G is often the hardest note to get. On an Aquilasax C tenor try B and F# together.

Old Hard Rubber mouthpieces often develop a nasty salty/sulphur taste especially if left in the sun. Try soaking in hot sugar water to balance the ph.

STICKY KEYS can be improved by clamping a piece of paper between the keypad and the tone hole and drawing the paper out to gently remove any buildup on the tone hole rim or pad.

BURBLING LOW NOTES can often be caused by a poor seat on the octave pad on the neck. It is easy to disturb the seat when taking the neck off after use and also easy to bend it back into position. To reseat the pad, dip in warm water and clamp with elastic band until dry.
Some claim putting a small object into the bell disturbs the flow enough to prevent burbling.
Pushing the bottom lip forward on the reed usually removes the burbling tendency on low notes. (motorboating) The old curved neck's angle can cause the bottom lip to pull back naturally. Lift the sax upwards with the bell closer to counteract this.

PAD LEAKS on BELL KEYS can be caused by the bell clamp loosening and the bell twisting out of alignment. Student models don't have bell clamps. 

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Aquilasax.com is registered in New Zealand and began trading in 2005.
  • Our mission is to equip you to play happily in the key of C.
  • Our market commitment is to make not just money but also friends.
  • Our intention is to serve our customers with quality products at a good price and to find new products to enable our customers to express their creative freedom.

Aquilasax saxophones are all play tested and guaranteed to play out of the box. 
If not, we make it right!
 If your sax is damaged in transit or faulty due to manufacturing we give full purchase price refund upon receipt of the sax in good condition, along with the guarantee form and a repair tech's repair assessment.

We don't guarantee you will play it!


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